Unveiling the Secrets of The 7 Basic Plotlines

Unveiling the Secrets of The 7 Basic Plotlines

Table of Contents:

1. Introduction
2. The Seven Types of Stories 2.1. Overcoming the Monster 2.2. Reaper 2.3. Quest 2.4. Voyage and Return 2.5. Rags to Riches 2.6. Tragedy 2.7. Comedy
3. Debunking the Theory
4. Is it Possible to Write Something Original Nowadays?
5. Conclusion

The Seven Types of Stories

In the world of storytelling, there are often discussions about the limitations we face when it comes to creating something truly unique. Some argue that there are only seven basic plot lines, leaving little room for originality. This belief has gained popularity through Christopher Booker's theory of the seven basic plots. According to Booker, all plots fall under one of these categories. In this article, we will explore each type of story, examine examples, and discuss whether or not this theory holds true.

Overcoming the Monster

The first type of story is "Overcoming the Monster." In this plot, a character sets out to defeat an antagonistic force, typically an evil entity, posing a threat to themselves or their homeland. While this type of story is often associated with ancient tales like "Beowulf," it can also be seen in contemporary literature. For instance, the monster could represent addiction, making it a more subtle but equally significant threat. Examples of stories falling under this category include "Dracula," "Star Wars," and the "James Bond" series.

Reaper

Next on the list is the "Reaper" plot, which explores the theme of renewal. In this story, a character undergoes a transformation after a significant event, leading them to become a better person. A well-known example of this plot is Charles Dickens' "A Christmas Carol," where Ebenezer Scrooge's encounters with the spirits of Christmas prompt a change in his behavior. Other examples of the "Reaper" plot include "Beauty and the Beast," "The Secret Garden," and "Groundhog Day."

Quest

The "Quest" plot involves a character or group embarking on a journey to retrieve something of importance or reach a significant destination. Along the way, they encounter and overcome various obstacles. One of the most prominent examples of this type of story is J.R.R. Tolkien's "The Lord of the Rings" series, where Frodo and his companions set out to destroy the One Ring. Other notable examples of the "Quest" plot include "The Odyssey," "Watership Down," and "The Lightning Thief."

Voyage and Return

Similar to the quest, the "Voyage and Return" plot involves a character venturing into unfamiliar territory and facing challenges. However, in this type of story, the character eventually returns home, having grown and changed through their experiences. J.R.R. Tolkien's "The Hobbit" is a classic example of this plot, with its subtitle being "There and Back Again." Other examples of the "Voyage and Return" plot include "Orpheus," "Alice in Wonderland," "The Wizard of Oz," and "Gone with the Wind."

Rags to Riches

In the "Rags to Riches" plot, a character from humble beginnings acquires something of great importance. This could be wealth, power, love, or something else significant to them. However, their newfound success is often temporary, as they may lose what they have gained and must work to regain it. Examples of stories falling under the "Rags to Riches" plot include "Cinderella," "Aladdin," "Jane Eyre," and "Great Expectations."

Tragedy

Moving on to a more somber plot, we have the "Tragedy." In this type of story, the protagonist's inherent flaw or grave mistake leads to their downfall or undoing. These stories often explore the fall of a character who, at their core, is fundamentally good. Examples of tragedies include "Macbeth," "Bonnie and Clyde," "Anna Karenina," and "The Picture of Dorian Gray."

Comedy

In contrast to tragedy, the "Comedy" plot offers a lighter tone and a cheerful ending. It focuses on a character who triumphs over challenging circumstances, resulting in happiness and success. While the term "comedy" may suggest humor, it refers more to the resolution of conflicts in a satisfying way. Many contemporary romance films can be considered comedies under this model. Examples include "A Midsummer Night's Dream," "Bridget Jones's Diary," and "Four Weddings and a Funeral."

Debunking the Theory

While Christopher Booker's theory provides a framework for categorizing stories into seven basic plots, it is essential to understand that not all stories fit neatly into these categories. Many works of literature defy the boundaries set by this theory and offer unique narratives that cannot be classified within its constraints. After all, creativity knows no bounds, and authors continually push the limits of storytelling.

Is it Possible to Write Something Original Nowadays?

One question that often arises when discussing the seven basic plots is whether it is still possible to create something truly original in today's literary landscape. Many argue that with so many stories already told, there is little room for novelty. In our next article, we will delve deeper into this topic and explore whether originality can still be achieved in storytelling.

Conclusion

In conclusion, while the theory of the seven basic plots provides a useful framework for understanding different types of stories, it should not limit our creativity as writers or storytellers. The beauty of literature lies in its infinite possibilities, and even within established plot categories, unique and original narratives can be crafted. So let us continue to explore new ideas, challenge existing conventions, and create stories that captivate and inspire readers for generations to come.

Highlights:

• The theory of the seven basic plots categorizes all stories into specific plot types.
• Overcoming the Monster, Reaper, Quest, Voyage and Return, Rags to Riches, Tragedy, and Comedy are the seven basic plot types.
• These plot types can be found in both classical and contemporary literature.
• While the theory has its merits, not all stories fit neatly into these categories.
• Creativity knows no bounds, and originality can still be achieved in storytelling.
• The beauty of literature lies in its infinite possibilities.

FAQ:

Q: Are these seven plot types the only ones that exist? A: While these seven plot types provide a useful framework, there are numerous other plots and variations that exist. These plot types should not limit the creativity and imagination of writers.

Q: Can a story fit into multiple plot types? A: Yes, it is possible for a story to incorporate elements of multiple plot types. Many stories are not confined to a single category and blend different plot structures to create unique narratives.

Q: Can a story have an original plot that doesn't fit into any of these categories? A: Absolutely. The theory of the seven basic plots is just one way to categorize stories. There are countless original plots that defy categorization and offer fresh perspectives and narratives.

Q: How can authors ensure their stories stand out despite using common plot types? A: While using common plot types, authors can focus on developing unique characters, settings, conflicts, and resolutions. It is the execution and originality within these elements that make a story distinctive and memorable.